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34200	.BEGIN VERBATIM
34300	Figure 93e
34400	.END
34500	.CENTER
34600	%6⊂⊗⊃L[α%0.04,α%-4.40](17,22):N93FE.PLT[C9,LCS]⊂⊗⊃%1
34700	.skip  9  
34800	.FILL INDENT 12
34900	
35000		There is no doubt that the material thus far presented on
35100	this passage gives a fair picture of the essential movement of the
35200	harmony and would make a relatively uncluttered analysis.  Unfortunately,
35300	this degree of simplicity is achieved only by omitting mention of the
35400	subtle changes which occur at the ends of many of the measures.  When
35500	these are taken into account, we find several pivot chords and
35600	justification for showing some more brief tonicizations.
35700	
35800		First, in bars 63 and 64, it might be said that the root 
35900	of each beginning harmony is tonicized by the previous eighth note.
36000	Below the analysis the earlier simple view is presented.
36100	.BEGIN VERBATIM
36200	
36300	Figure 93f
36400	.END
36500	.CENTER
36600	%6⊂⊗⊃L[α%0.04,α%-5.36](17,22):N93FF.PLT[C9,LCS]⊂⊗⊃%1
36650	. << USE SIZE .97 >>
36700